Student Teacher Resources

Getting Started On Guitar

How does one learn the guitar?

Mostly, people take up and begin to learn guitar in one of 3 ways; (a) they learn things shown to them by other guitarists, (b) they decide to teach themselves or (c) they have formal lessons with a teacher. As well, students may over time use all 3 of these learning possibilities and all have a valid place in the learning process. However the question that many never think of is, what is the best sequence of these possibilities to follow from the beginning?

The recommended points are:

  1. Begin with formal lessons from a good teacher and learn to read music (one-to-one tuition or even a correspondence course) - build a solid and correct foundation from the start! This would avoid time wasted in acquiring bad habits, poor technique and wrong musical knowledge from others.
  2. As confidence and ability increase from the teacher-based education on guitar, get out and mix, watch, listen, and learn directly from other players. One is now in a position to more accurately evaluate the merit of, and interact with, what other guitarists are doing (or not doing).
  3. Teaching yourself usually comes last in the creative process, and with the experience from the above 2 points comes the hardest part - pursuing one's own style, language and originality in music, and/or maybe becoming a professional in the industry.

With very few exceptions, it's a fact that the greatest guitarists in any style have had some formal tuition, have learnt from others, and have continued teaching themselves through individual research, experimentation and creativity - in that order.

What guitar should I buy to learn on?

The average well-stocked musical instrument store is full of gleaming guitars of all shapes and sizes, but the first-time guitar buyer is not always aware that the majority of this stock is mostly suitable for the "seasoned amateur" guitarist, the semi-pro and the pro players. As well, the first-time buyer can have confused ideas about musical style and the sort of guitar they (and the salesman) think they should buy. If one has never played guitar before but wants to "eventually play rock music and be in a band" then an electric rock-guitar might seem to be the correct purchase, but is it? Or the buyer might want to "eventually write and perform songs as a solo artist" and so a steel-string guitar might seem to be the correct purchase.

Its great to have a goal about one's music and guitar playing but that goal is rather further down the track than just now - beginning to learn the guitar! Really, the correct purchase for the musical style and goal should come later, when the student can actually apply some of the guitar skills necessary for that longer-term aim (long term goals can change too). Many a student has given up music purely through bad or unhelpful advice on the appropriate instrument to begin with.

The recommended points for beginners buying a guitar are:

1. If you are planning to have lessons with a teacher, always get their advice first, before even going into a shop! Many a teacher has welcomed new students into their first lesson only to tell them that they have unknowingly bought the wrong type of guitar to begin tuition upon.

2. Steel-string guitars are not user-friendly for beginner guitarists. The very high tension in the strings makes it tough going for left-hand fretting of notes - this is especially true for children and most adults too. The fingers become unduly sore, and a lack of muscular development in the hand tends to produce unclear and malformed notes (fret-rattle). The large body-shape of many steel-string guitars also creates posture problems for the beginner, all of which adds up to an uncomfortable experience with the instrument.

3. Children should always begin on a nylon-string guitar (or classic guitar) because of the relative ease of forming fretted notes and plucking the strings with fingers or a plectrum (pick). Unlike most other types of guitars, these come in ½, ¾, and full-size models and should be chosen according to a child's age and physical build - seek a teacher's advice for the best decision here too. The wide neck and 'soft' string action of the nylon-string guitar give the fingers of both hands plenty of room to move and are the ideal beginner's instrument.

4. The electric guitar is never usually a good choice for a student's first guitar. The narrow neck of the electric guitar gives beginners' left-hand fingers little room for error, tends to cramp technique, and produce many muted notes. Above all, the electric guitar tends to sound best with the playing of bar chords and lead solo melodies, and the physical dexterity needed to do this well is quite beyond beginners.

5. In summary, many teachers advise enthusiastic beginners of all ages to forget about musical styles until good basic technique and musical skills have had a chance to develop. Begin with a nylon-string guitar (one can play any style using fingers or a pick on this kind of guitar anyway) and later make a choice about changing to a specific guitar type for style purposes.

6. When shopping before buying, ask to see the student-model guitars (which tend to be the lower end of the market range), get their brand names, prices, and confer with a teacher or an experienced guitarist before deciding which one to purchase.

What teaching methods exist for learning guitar?

It has been said that 3 years of haphazard guitar playing with no particular method behind it is lucky to equal the progress made in 1 year of focussed study with a teaching method. In music publishing many guitar books are given the title of being a "method" and for some this is true, and for others it is totally untrue - and again the buyer cannot always know this because publishing often confuses style with substance. There really is no such thing as a "rock method" of guitar playing (although there may be one day), only a rock style of guitar playing. Historically there are only two methods for learning guitar, where the word "method" actually refers to a long and established tradition of guitar playing and evolution of best playing practices - they are the classical guitar method, and the plectrum guitar method. The classical guitar tradition covers the past 500 years of guitar composition and playing development (the classical repertoire), and the relatively new plectrum guitar tradition covers the past 75 years of popular music guitar development. In formal teaching, both methods give students an excellent foundation for any other guitar style they might want to pursue later on.

What books do I buy for learning guitar?

When beginning guitar lessons with a good teacher, one of the two broad methods described above will usually be recommended as the path to follow - both involve sound technical and music-reading development. If a student is more interested in popular music styles including rock or blues, then the plectrum guitar method best supports this goal. All basic education on the guitar where style is not particularly an issue is exceptionally well served by the classical method. The teacher then advises a good, appropriate book on the relevant method for purchase. It is not uncommon for students to begin with one method and then change to the other, either way, it has not been a waste of time. If learning without a teacher, try to purchase a well-known, widely used book that is related to either the plectrum method or the classical method. Books on chords, or tab playing, or blues playing etc are useful supplementary books to have, but in themselves do not represent any method of guitar playing.

Note: the ideas expressed herein are not necessarily the opinions of this company, but are based upon research from numerous professional teachers and guitarists across the world.

 

About The Guitar : A Brief History

Instruments like the guitar have a history dating back several thousand years. This is because the idea of stretching a string across some type of empty container to amplify the string's sound when plucked is a very old idea. This is what a guitar consists of, 6 strings stretched across a "container" or body made of wood which naturally amplifies the vibration of the string - the guitar's body is generally known as the soundbox. All musical instruments that use stretched strings for their sound are called chordophones, from the Greek words 'chordos' = cord or string, and 'phonos' = sound. What other instruments can you think of that are also chordophones?

The ancient civilisations of Egypt and Babylonia had instruments, which like the guitar, were strummed or plucked with the fingers to accompany the human voice when singing. These guitar-like instruments were used 3,500 years ago, and were later passed on into the Greek civilisation that then developed more variations of the plucked string instrument, including the lyre. The Roman civilisation also had a guitar-like instrument about 1,800 years ago, and as the Romans conquered much of Europe the chordophone idea for a musical instrument spread to many countries. This occurred via the southern Mediterranean coast of France (Provence) into the remainder of that country and then to Spain, and up to England.

In the year 711 the Moors who were a race of people from Northern Africa, invaded Spain and brought another guitar-like instrument to the south of Europe, a type of lute called "al-ud" with a pear shaped body (the guitar however has not descended from the lute). Up until this time the word 'guitar' did not really exist for any of these instruments. The first true guitars and the word 'guitar' appeared in Europe 600 years ago, in the years from about 1400 and most particularly in Spain. These instruments, which were to still undergo many changes in the years to follow, all had a curved, waisted-body shape with a flat top and back - the basic guitar shape as we know it today. For the next 350 years guitar makers in Spain, Italy, France and other regions experimented with the number of strings on a guitar, its basic shape, and internal construction.

During the 1780's the guitar's 6 strings and their tuning were established as we use them today. By the 1850's the guitar's construction inside and out was established in Spain by the guitar maker Torres, and has remained the model for how we make them today - it became what we now know as the classic or classical guitar. Music shops and guitarists also refer to it as the nylon string guitar; it's the same thing really. The early classical guitars used strings made of animal gut before the invention of nylon strings in the 1950's and to this day some players still prefer the sound of strings made of gut. This type of guitar is used today in the performance of classical music, folk music, pop music, some Blues, Latin music, Flamenco music, and is the choice for most beginners learning guitar - the style of music played on it is not necessarily 'classical' as the name might imply, it's simply one of many types of guitar that exist today.

The most radical change in the classical guitar has been the development of the soprano guitar, the tenor guitar, and the acoustic classical bass guitar in Australia (Guitar Trek) during the 1980's. These are all guitars smaller (the soprano) and larger (tenor & bass) than the normal guitar. In combination they enable a guitar quartet to perform on four differently pitched instruments with increased dynamics and range, much in the style of a classical string quartet (the SATB concept).

The steel string guitar is another type that became the folk music guitar of America and was invented there in the late 1800's, about 1870. The classical guitar was earlier brought to America by the large migration of people from Europe who wanted to settle in a new land, but then found it too fragile as an instrument in its new environment. So they created a larger, stronger body for the guitar and added steel strings to it rather than the gut strings, which often broke. With the heavier steel strings it had to be played with the 'pick' or plectrum and this has become a standard technique for both acoustic (unplugged) and electric guitar styles, hence the term plectrum guitar. Many players do use finger-style picking on steel string guitars but a strong right hand technique is required to do this well. It became the instrument of choice for cowboy and rural folk music, Bluegrass music, Blues, early jazz (Django Reinhardt, Eddie Lang), and is now used widely in pop, some areas of rock music, Fusion music, and almost any musical genre where guitar has a key role to play.

The electric guitar was also invented in America and became a common type of instrument from about 1935. At this time it was featured in the sounds of jazz (Charlie Christian) and was preferred to the steel string guitar because it could now compete with the volume of a whole group and be a soloing instrument in its own right. In the 1950's it became the instrument of Rock 'n Roll (Bill Haley & The Comets) and has been the main sound of popular music ever since. In the late 1940's the relatively 'new' electric guitar saw the creation too of the electric bass guitar that came to form the basic beat and pulse of all modern popular music - it gradually replaced the double bass which could not compete with the clarity and volume being thrust forward by the new electric guitar groups of the 50's and 60's.

There have been several other types of guitar developed during these times, most of which are only used for specific types of music. The 12 String guitar (mostly played with a pick) is an offshoot of the steel string guitar, being a large bodied instrument with double courses of steel strings - that is, two E strings, two B strings, and so on across the guitar which means the player is always fretting down two strings at once. First made during the 1920's, they became popular with Blues artists like Leadbelly. They appear in acoustic and electric guitar versions, have a greater resonance than the 6-string guitar, a very distinctive sound, and can be heard for this special effect in both folk and rock groups from time to time (Crosby, Stills Nash & Young, Led Zeppelin etc).

Dobro or resonator guitars invented in America in the late 1920's, are an unusual guitar type having a steel 'inverted dish' in the place of the sound hole in a normal acoustic guitar. This concept, with its steel strings, gives the instrument considerable volume and has been used extensively in country music, blues and Hawaiian music, and for bottleneck (slide) playing. It comes in versions with a wooden body and an all-steel body (top, back and sides).

Latin American countries (Mexico, South America, Cuba, etc) were originally regions invaded and settled by the Spanish and the Portuguese. Both nations brought the European version of the guitar (early classical) to these colonies and many types of guitar have developed there since - mainly because to own a guitar for the local natives in these countries meant making one out of any available materials. Thus strange types of guitars were made out of tortoise or turtle shells like the Mexican vihuelita guitar, the small 4-string Bolivian charango guitar made from an armadillo shell, and the Venezuelan 4-string cuatro guitar made from wooden packing crates. The Mexican guitarron is an enormous bass acoustic guitar (hung around the player's neck) with a body twice the size and depth of a normal sized guitar. All of these instruments are still used today in the performance of national folk music and dance. Westside Music 2003.

 

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